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Robert Rogers's avatar

Two thoughts: If a work is not a polemic, if there is no taint in the work, then read on; children can learn to deal with the challenge when they're old enough to think critically about it.

You write "people are neither wholly good, nor wholly bad" -- just so. It would serve for us all to remember that. Would that G.K. Chesterton was here to comment. But as Frederick Beuchner says, "We have all cut ourselves shaving." That's a critical starting point to avoiding a self-righteousness, of which there's an awful lot these days. That is not an endorsement of or excuse for any of the rogues mentioned here, but an important starting point nevertheless.

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Jenn's avatar

When I was an ideologically awakening but cautious, very devout evangelical literature major at a rigorous evangelical college (I'm still a lot of those things, but maybe less cautious and definitely no longer a college student), I was frequently troubled to learn about the shenanigans of some of the authors and poets whose works we studied. Coleridge was an addict. Dostoevsky had alcohol and relationship issues. Byron was, well...byronic. I found myself very conflicted when I discovered these realities but also found myself moved or delighted or otherwise impacted by the literary works...even when the works themselves sometimes reflected the lifestyle or the belief system I found objectionable.

But wrestling through that knowledge and those impressions and the way the art and I interacted with each other was an important part of my intellectual, emotional, psychological, and even spiritual growth. I still find some of the things objectionable now that I did then, but I'm not afraid to read and engage the works anymore. I think ultimately it makes me better.

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